How to Make an Open Mouth With Pixel Art
In this tutorial, I volition prove you the technique that I employ to represent mouths and lips. I will explain the simplest structures to empathize how to draw different shapes and expressions. And finally, I will integrate them into a color analogy.
Annotation that, in improver to this method, there are many other means to learn how to describe mouths and lips, but I volition explain the method that I have considered to be the most advisable and easy to understand.
To make the following illustrations, I have used Clip Studio Paint EX, but whatever other drawing software can be used.
1. How to depict a oral fissure: Simplified structures
First, let u.s. analyze the mouth without the lips, to meliorate analyze its structure.
To understand the oral cavity, think about a sphere. The (open) oral cavity would be half of it. This is a uncomplicated exercise that shows that the mouth is not exclusively a straight line when it is airtight and a crescent when it is open, merely that it has its own volume.
In this instance, you tin see a mouth in its simplest form without perspective (image 1) and how information technology can be imagined with ¾ perspective (images two and 3).
2. How to depict the mouth: Primal elements
Now that we recognize that the mouth has book, we must also accept into account that it as well has depth. It is a crenel, and thus it contains important elements that will aid united states draw the mouth: the teeth, the tongue, and fifty-fifty the gums. You lot can even become further into other elements such as the uvula, the palate, all the different teeth, the tonsils, etc. Simply let u.s. focus on those three basic features.
On the left is an example of how the outlined elements that make up the mouth tin be represented and on the right, is a more detailed interpretation of them.
three. How to draw lips: Simplified structures
Lips are essential elements that connect to the oral cavity. To sympathize them, let's try to represent them separately from the mouth and in their simplest forms.
In this image, nosotros tin come across how to describe the lips pace by step using rounded, curved, and elongated structures, starting from a direct line and without perspective. Also, go on in mind that the thickness, width, and length of the lips will depend a lot on the type of grapheme we want to design.
If it is difficult for us to imagine the mouth with rounded and curved structures, information technology is advisable to start by drawing flattened areas (as if information technology were low poly!).
In this fashion, we can meliorate grasp which areas have the most book.
4. Drawing a draft
Key structures
Every bit we have seen in the mouth, there are also key elements on the lips that will aid u.s.a. better understand and blueprint them.
We must study the Cupid's bow (ane), the commissures (or where the top and bottom lips connect) (2), the philtrum (the skin connecting the olfactory organ to the mouth) (3), the cardinal tubercles (The bottom of the lip nether the cupid's bow) (4), the upper lip (five), and the lower lip (vi).
Varying these elements produces several lip designs.
5. Dissimilar shapes of mouths and lips
Making unlike lips and mouths is a matter of trying variations in the thickness of the lower or upper lips. Nosotros can mark the Cupid'south bow, widen or narrow the rima oris, etc. It is interesting to keep trying and come across what works best for our character.
A small mouth is usually related to a modest or shy character, and a big mouth is for more expressive characters. Sparse lips may define a masculine character and thick lips a feminine i, although there can always be exceptions.
Cheque some examples of lips and mouth variations below.
six. Dissimilar shapes of lips and mouths on the aforementioned face
Knowing that we can vary the size of the mouth and lips, it is interesting to endeavour different modifications on the same character, to see which 1 fits better.
7. Expressions and emotions through lips and mouths
There are many important elements on a confront that aid define expressions. Together with other elements such every bit the optics, eyebrows, the mouth and lips are key elements that build different expressions,
Take into business relationship which areas of the oral fissure must be modified to represent ane expression or some other; to convey joy, the corners ascent, to convey sadness, nosotros depict them lower than usual. To convey acrimony, we bear witness an open mouth (screaming) complete with teeth and gums.
The lips can help transmit dissimilar expressions and emotions: challenging, fearful, sensual, etc. The next image shows some examples of expressive mouths and lips:
eight. Different styles to depict mouths and lips
Once we know the nuts, it is time to draw them in different styles to encounter which one nosotros feel the most comfy with. In the following paradigm, I wanted to evidence manga, realistic, cartoon, Disney, and my ain manner.
9. Rima oris and lips integrated into an analogy
Finally, I would like to prove the process of drawing a confront from sketch to the final color. I wanted to create a slight expression and keep the image dynamic while trying to get out of my comfort zone. Information technology is fun and benign to design characters with exaggerated and/or marked expressions.
Source: https://www.clipstudio.net/how-to-draw/archives/161618
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